Cristina Branco

With nearly 30 years of career, 19 released albums and countless concerts all over the world, Cristina Branco is an tireless ambassador for Portuguese culture and language. Traditional music is her main aesthetic root, but the influence of jazz, literature, and the musicians she shares the stage with lend her music a universal character and sublime charm.

 

She began her artistic journey in the Netherlands with “Cristina Branco in Holland” (1997), an album that became a true success in that country. In the following years, her name resonated throughout Europe, with sold-out dates in numerous cities. “Murmúrios” (1998) and “Post-Scriptum” (2000) reinforced this successful moment, and Cristina was awarded two Prix Choc by the magazine Le Monde de la Musique.

 

This was followed by Abril (2007), an album featuring versions of songs by José Afonso; Kronos (2009); and Fado Tango (2011), her iconic tenth studio album, which included collaborations with several renowned Portuguese authors and foreshadowed the artistic rebirth that would arrive a few years later with Menina (2016). Considered the Best Album of the Year by the Portuguese Society of Authors (SPA), it became the first chapter of a trilogy that includes Branco (2018) and Eva (2020). Across these works, Cristina Branco brought together unusual collaborations that blended styles and genres, resulting in unique and innovative interpretations of fado.

 

In 2022, marking her 25-year career, she performed over 40 concerts across Europe and released “Amoras numa Tarde de Outono“, an album in collaboration with pianist João Paulo Esteves da Silva. “Mãe“, released in 2023, is a unique musical creation in which Cristina Branco lends her singular and expressive voice to a variety of authors, continuing her artistic tradition. Both on record and on stage, “Mãe” offers audiences an original repertoire that takes them on an immersive journey of rediscovering fado, exploring its emotional depths and nuances. “Senhora do Mar Redondo“, the lead single, is proof of this.

 

In 2024, “Abril” returned to stages across Portugal in an immersive live show, featuring arrangements and musical direction by pianist Ricardo Dias. Póvoa de Varzim, Vila Real, Covilhã, Grândola, Loulé (Festival MED) and Lisbon (São Luiz Teatro Municipal) were among the venues that had the privilege of hosting this tribute to the repertoire of the iconic singer-songwriter of Freedom, as part of the celebrations marking the 50th anniversary of the Carnation Revolution. In 2025, the show was enriched with new versions and arrangements, preserving its essence while offering a renewed experience through the release of the new album “Mulheres de Abril”, which includes songs such as “Teresa Torga”, “Canção da Paciência”, “De Não Saber O Que Me Espera” and “Endechas de Bárbara Escrava”. The tour “Mulheres de Abril – Cristina Branco sings José Afonso” will continue throughout 2026, following the rapturous performances at the Carlos do Carmo Municipal Auditorium (Lagoa) and Casa da Música (Porto).

 

MULHERES DE ABRIL – CRISTINA BRANCO CANTA JOSÉ AFONSO

The careful selection of songs on “Abril” reflects Cristina Branco’s deep connection to the work of José Afonso. In concert, the singer revisits the album, including emblematic tracks such as “Menino d’Oiro”, “Venham Mais Cinco”, “Redondo Vocábulo”, “A Morte Saiu à Rua”, and “Índios da Meia Praia”. In 2025, this tribute took on new dimensions with the album “Mulheres de Abril”, a homage to the women whom José Afonso wrote about and sang. “Teresa Torga”, the first single, is the most vibrant expression of this project.

 

AMORAS NUMA TARDE DE OUTONO, WITH JOÃO PAULO ESTEVES DA SILVA

Cristina Branco and João Paulo Esteves da Silva brought together unique live experiences, seen and heard by distant audiences. This was the genesis of ‘Amoras numa Tarde de Outono’, an album that seeks to record, like a photographic document, the work the duo has been doing on stage for the last 20 years.

 

PRESS QUOTES 

«You can listen to this record as if it were a ballet (…) The result is always surprising. And beautiful, it has to be said.« Time Out

 

«Cristina Branco’s new album is called “Mãe” (…) Once again, It is a diamond. (…) Branco returns to traditional fado and keeps what is fundamental: the truth.» Valter Hugo Mãe (writer), in Notícias Magazine

 

«When Cristina Branco chooses to, she is a stunning fadista. Just not an orthodox one.» Songlines

 

«It is perhaps her most emotionally profound album: Cristina Branco is back with “Mãe” (“Mother”) and penetrates the depths of human existence with her fado.» Hr2 kultur

 

«Magical music that reaches the heart!»  Music

 

«A breathtaking musical masterpiece […] This album invites the listener on a journey of rediscovery and reinvention of Fado.» Rhein Main Magazine

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